Our beloved cat, Greta Garbage, has delusions of grandeur. She is exceptionally selective when choosing her place of repose. Be it the toile quilt, the cashmere throw, or the gilded chair. The word pedestrian just doesn’t factor in her vocabulary. In fact, she practically art-directs her surroundings. Having said that, Miss Garbage would be quite at home in the jaw-dropping, stammer-inducing house of antique dealer and stylist Aurélien Deleuze. Situated just outside the small village of Bugnein, between Pau and Biarritz in the Pyrénées Atlantiques (sounds so much nicer in French), this stately home was originally built by an abbot in 1700 (who had been knighted by Louis XIV). Hardly a bad provenance. Aurélien is unquestionably the perfect custodian as can be seen by his impeccable taste (website below). He himself says: "This is not about temporary love, but one that is lifelong..."
Thursday, July 14, 2011
Wednesday, July 13, 2011
Through the Looking Glass (Number XI)
The eleventh in the Through the Looking Glass series of photographs.
The Great Hall at Ragley Hall. The plaster work was designed by James Gibbs in 1750.
Image from here
Photographer: Tim Imrie-Tait
The Great Hall at Ragley Hall. The plaster work was designed by James Gibbs in 1750.
Image from here
Photographer: Tim Imrie-Tait
Labels:
Houses,
Interiors,
Pink,
Plaster,
Through the Looking Glass Series
Tuesday, July 12, 2011
Lofty Heights
Labels:
Interiors,
Loft,
Pieter Estersohn,
White
Monday, July 11, 2011
Steam Punk Safari
If Leonardo Da Vinci were a taxidermist...
Obsolete Gallery director, Michel Oren, has this to say about Los Angeles-based sculptor Ron Pippin:
"Pippin wants instead to transcend the commonplace discards he picks up at swap meets, junk yards and thrift shops, to disfigure and at the same time ennoble them. His figures try to overcome their awkward and vulnerable status, the constraints of their bandaging, and in this sense they do not come from the Dada movement like Schwitters but from the predecessors of German Expressionism such as medieval German wooden pietas."
Using actual animal parts and mechanical augmentations, these unique bionic-like masterpieces are indicative of a soaring imagination, exceptional craftsmanship and a deep understanding of the often precarious relationship between Science, Art and Nature.
Sunday, July 10, 2011
Charlotte Rampling
Never mind Helen of Troy.... here is a face and gaze that could launch a thousand anythings. Somewhat aristocratic, beguiling yet inaccessible, and of course... those eyes. Charlotte Rampling remains an absolute enigma.
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| Charlotte Rampling and Sam Waterston in Three |
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| With Richard Burton |
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| With Woody Allen |
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| From The Night Porter |
Labels:
Actresses,
Black and White,
Charlotte Rampling,
Icons,
Photography
Wednesday, July 6, 2011
Adam in Wonderland
“It sounds cliché but I was really blown away as a child by the Haunted Mansion ride and the 20,000 Leagues Under the Sea ride at Disney World,” remembers Philadelphia artist Adam Wallacavage. Best known for his Gothic Octopi chandeliers, this quote rather sums up the weird and wonderful world of Wallacavage as captured by Todd Selby. He also quizzically notes:
Labels:
Adam Wallacavage,
Antler,
Chandeliers,
Quirky,
taxidermy,
The Selby,
Todd Selby
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